Experts uncover the story behind daigoji temple fair; or more Japanese treasures debut Xi’an –havd707

Experts uncover the story behind   daigoji temple fair; or more Japanese treasures debut Xi’an – Shaanxi channel: people.com.cn original title: experts expose daigoji Temple story behind the exhibition or more Japanese treasures debut Xi’an "fine Dongdu — Japanese daigoji Temple Treasures Exhibition on display one thousand years ago paper relics, records of the master of the sea and air to the emperor Saga (786-842) with the content of fox brush. Konghai to the Tang Dynasty pen technology was introduced to Japan, based on the knowledge and experience of the Tang learning, asked pen wells according to the real Qingchuan craftsman Osaka, running script, cursive script, writing a Book (from body) of four books each made a brush, in June 7th 812 in Mukden emperor. With the "fine East — Japanese daigoji Temple Treasures Exhibition", Shaanxi History Museum held a number of lectures, is behind the public a better understanding of cultural relics of the story. A period of nearly two months of the Shaanxi Museum of history "– Japan Fine Dongdu daigoji Temple Treasures Exhibition", recently successfully dropped. If the time back to two years ago, I am afraid not many people will expect the daigoji temple to Xi’an cultural relics exhibition. Because of these cultural relics in Japan is regarded as the treasure, only exit exhibited once, when many museums in the world are invited to exhibit eat cold-shoulder treatment. In July 27th after the opening ceremony, Shaanxi cultural leaders and Buddhist culture as well as many scholars, college students are very happy, hope to make persistent efforts, the diamond peak temple relics are introduced into the Xi’an exhibition. Japan Koyasan diamond peak temple is the first temple in Changan from the sea after returning is founded, the ancestral home of the Japanese Shingon, a collection of a large number of precious cultural relics. But the Shaanxi History Museum minister Dong Li admitted that the operation of diamond peak temple relics on display over the difficulty is bigger than the daigoji temple, but has been put on the agenda, may soon be sent to the Japanese side and contact. The innovation daigoji Temple relics exhibition settled Dong Li is the operation of daigoji Temple relics to Xi’an exhibition important participants. According to him, the plan was hit by nails at the beginning. Because of these precious cultural relics of the institution is a temple, but also the famous world heritage cultural relics, on the one hand, there is a very demanding, on the other hand, in accordance with the relevant provisions of the two countries, the museum also not a temple and signing of the contract. Finally we take a flexible way to entrust lent, first commissioned by the National Museum of Tokyo and the daigoji Temple negotiate loan exhibition, settled after we and the National Museum of Tokyo on this, right and proper." Dong said. Thanks to "the 103rd generation of the temple main Zhong Tian and archmages of efforts, he has on several occasions passionately said, will be brought to the temple treasure hidden daigoji Temple origin of the Xi’an exhibition, was his lifelong wish. It is because of his prestige and adhere to the Japanese Ministry of education, let loose mouth, agree with this batch of cultural relics second overseas exhibition. In person at the Shanxi Museum Visiting the "fine Dongdu — Japanese daigoji Temple Treasures Exhibition", Nakada Junwa magus to express their joy at the end of the long cherished wish, also affirmed the Chinese work, especially the Shaanxi History Museum Exhibit work, hope that after returning to follow this into) 专家揭醍醐寺展背后故事 或有更多日本珍宝亮相西安–陕西频道–人民网 原标题:专家揭醍醐寺展背后故事 或有更多日本珍宝亮相西安 “梵音东渡――日本醍醐寺国宝展”上展出的距今一千多年的纸质文物,记载了空海大师向嵯峨天皇(786-842)进献狸毛笔的内容。空海为了将唐朝制笔技术传入日本,依据其入唐学习的见闻与经历,嘱咐制笔工匠坂名井清川按照真书、行书、草书、写书(写经体)四种书体各制作了一支毛笔,于公元812年六月七日进奉天皇。 为配合“梵音东渡――日本醍醐寺国宝展”,陕西历史博物馆举行了多场学术讲座,为的是让公众更好的了解文物背后的故事。 为期近两个月的陕西历史博物馆“梵音东渡――日本醍醐寺国宝展”,在近日顺利地落下了帷幕。 如果时间回溯到两年前,恐怕没几个人会料到醍醐寺的文物会到西安展出。因为这些文物在日本被视为珍宝,只出境展出过一次,世界上许多博物馆在邀请展出的时候都吃了闭门羹。而在7月27日的开幕式之后,陕西文物界领导和佛教高僧以及众多文化学者、在校大学生,均大喜过望,非常希望能再接再厉,把金刚峰寺的文物也引进到西安展出一下。 日本高野山的金刚峰寺是空海从长安归国后创立的第一座寺院,是日本真言宗的祖庭,珍藏着一大批珍贵的文物。不过陕西历史博物馆陈列部部长董理坦言,运作金刚峰寺文物过来展出的难度比醍醐寺还要大,不过已经提上了日程,或许很快就会派人去和日方接洽。 创新方式把醍醐寺文物展谈妥 董理是运作醍醐寺文物来西安展览重要的参与者。据他回忆,引进的计划在一开始便碰了钉子。因为收藏这些珍贵文物的机构是一所寺庙,同时也是著名的世界遗产,一方面对于文物的外借有着非常苛刻的要求,另一方面按照两国的有关规定,博物馆也无法和一所寺庙签署相关合同。 “最后我们采取了一种委托转借的灵活方式,先委托东京国立博物馆和醍醐寺洽谈借展,谈妥了之后我们再和东京国立博物馆谈,这样就名正言顺了。”董理说。当然这还得感谢醍醐寺第103代座主仲田顺和大法师的努力,他曾经在多个场合动情地说过,将寺藏宝藏带到醍醐寺源起之地的西安展览,是他毕生的心愿。正是因为他的威望和坚持,让日本文部省松了口,同意这批文物第二次出境展览。 而在亲临陕博参观完“梵音东渡――日本醍醐寺国宝展”后,仲田顺和大法师在表达自己夙愿终了的喜悦之余,也充分肯定了中方的工作,特别是陕历博的布展工作,希望回国后也能按这样进行布展。 除了运作难度极大的金刚峰寺文物之外,董理还梦想着把大名鼎鼎的日本正仓院文物也引进到陕西,与著名的西安何家村唐代窖藏遗宝同台展出,这是他这十年来的梦想。“只要坚持、专注的做下去,不是没有可能,醍醐寺文物以前也想的很难,现在不也来展了嘛。” (责编:谷妍、王丽) 原标题:专家揭醍醐寺展背后故事 或有更多日本珍宝亮相西安 这种不带手套布展的方式曾经在网络上引起了巨大的争议,但据日方前来布展的工作人员解释,不戴手套布展,一是防滑二是保证手感,在日本一直都是这样做的。 把各大文明的珍宝请到陕西展出 从陕西历史博物馆建馆至今,25年的历史里只引进了不到二十次境外文物展。不过在2008年博物馆免费开放之后,引进外展的频率明显提高,每年最少引进一个外展,同时质量也有了显著的提高。 而这一变化,也和陕西经济近些年来的加速提升轨迹相吻合,经济实力增强也让陕历博有了去和外国人谈判的筹码。这次“梵音东渡――日本醍醐寺国宝展”的文物就是根据中方的策划要求,由董理去日本亲自挑选的,其中不乏日本的重量级国宝。 “现在我们出得起钱,就不能像以前那样由老外策划展览,然后给什么我们展什么。我相信过不了几年,我们就能陆续把世界各大文明的精美文物都引进到陕西展出,重量级的文物展也会越来越多。”董理说。 越来越多人关注博物馆是好事 “我们也不怕个别人说多花钱,也欢迎观众积极评价我们的展览,因为这些年国人的文化素质提升很快,观众有追求观赏高水平展览的需求,也非常支持我们的工作。”董理补充到。 也是从2008年博物馆免费开放起,进入博物馆的人数越来越多,欣赏水平也越来越高,这也迫使馆方增加展览数量,引入境外优秀展览,不断提高办展水平。比如这次醍醐寺文物展,有人看过之前在上海博物馆的第一站展出,有人甚至去过日本醍醐寺探访这些文物,有了对比就有了诸多比较和评论,于是展览期间网上在赞誉声一片的同时,也有质疑和误解之声。 董理说:“观众多了,便会‘仁者见仁,智者见智’,这十分正常。比起以前公众漠不关心,媒体少有评说的状况,这令人十分欣喜。现在的游客参观博物馆,不光要看清楚,还要看明白,更要看舒服,要求展览好看、好玩、有意义。这其实是一个随着社会进步,公众对于博物馆从不熟悉到熟悉,从不了解到了解,从不关心到关心、热心甚至操心的一个可喜变化的过程,公众开始爱上博物馆,开始自由发表自己的见解和观点,这期间包括有质疑有误解也是很正常,没什么可怕的,这正好反映了我们社会文明的进步,是好事。”(记者 敬泽昊) (责编:谷妍、王丽)相关的主题文章: